maytwelveontwelve

This month, the #photographinghappiness challenge is “faceless portraits”.

This was not a stretch for me. I love looking at portraits that are not traditional, expected or easy to read. I find them to be interesting and often able to tell a story much more effectively than a straight on, full face portrait. Take a peek through my photo albums ( yes, I still print almost everything ) and it is often not what you would expect. Backs of heads, tops of heads, blurred bodies, lots of feet ( what can I say? I can’t really explain that easily )…but hopefully always a story.

I was  not able to shoot twelve faceless portraits this month. I don’t even think that was the expectation. However,  I went back over the last few months and was able to find a definite pattern of images, one that has been present for a long time in my shooting. I think part of it developed early on, when we were forced ( happily ) as photography and art history students to not miss the details. Part of my appreciation of these images also emerged during my first 365 Project. You can only look at your face so many times before you need to look elsewhere for inspiration ( probably the same reason why there are so many Snapchat stickers and Instagram *from where I stand* collections. Or so I hope. ).

I have to say that, ironically,  when I do need a headshot for one of my kids for school, that I am often left scrambling, fully realizing that despite having hundreds of photos that hopefully share so much…that sometimes you actually need a head and a smile and a reliable gaze.

I wanted to delve deeper into the theories behind being faceless and presenting faceless to the world, as I imagine there are many…but that will have to wait for another time. For now? A collection of a few recent favourite faceless images from the last year.

 

 

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